
askmen
why is he famous?
Otherwise known for his roles in such films as Fight Club, Girl, Interrupted, Requiem for a Dream, and Alexander, Jared Leto's been pursuing another long-time passion: music. This passion has translated into the formation of 30 Seconds to Mars, a band that -- with two albums, a slew of singles and a national headlining tour -- shows no signs of slowing down.
quick bio
Jared Leto and his brother, Shannon, released 30 Seconds to Mars' eponymous debut album in 2002. Originally intended to be a small side project, the band soon developed a dedicated following, resulting in the release of their second album, A Beautiful Lie (2005), which was recorded in four different countries over the course of three years. Equipped with two new band members -- Matt Wachter (bass) and Tomo Milicevic (guitar) -- and a brand-new record, 30 Seconds to Mars left its "professional opening band" status behind and embarked on its very first national headlining tour. With its loyal fan base of self-proclaimed "Echelons" helping to sell out shows across the U.S., 30 Seconds to Mars has definitely waved goodbye to those good ol' opening act days.
Q-1: You're in the middle of your first headlining tour; how has it been so far?
It's been amazing; virtually every show has been sold out. I mean, a lot of times we say we're doing our first-ever headlining tour, but by no means does that mean that we just started doing this. We were signed in 1998, we just never got around to doing a first official headlining tour. We played plenty of shows by ourselves, but for years we just became something of a professional opening band, which was great because we learned a lot and we played with a lot of bands that we really respect and admire, from Incubus to Audioslave to Jane's Addiction or Lollapalooza, you know, as well as younger bands like The Used. We've had our share of experiences out there with great bands and learned a lot, but it was time to get out there and to do our own thing, to start presenting ourselves in the way we've always wanted to.
Q-2: How would you describe 30 Seconds to Mars live?
Live? Uh, energetic, atmospheric -- the cliché I always use is the energy of the Sex Pistols with the grandiosity of Pink Floyd, anything short of that I'll be happy with, but, you know, one thing I look for in a performance is spontaneity, something exciting. I think a part of what we react to is a kind of mundane state of a lot of this shoe-gazing fashion rock that seems to permeate a lot of the dark corners of the rock world these days. There just seems to be this sense of boredom that some people are interested in for some reason.
I don't know, when I was a kid, when I would see shows that changed my life, I would go to see shows where there was my mother taking us to see classic rock concerts, like Zeppelin, or when I saw Pink Floyd or when I saw, you know, when I was a little older, and I saw Nine Inch Nails, and I saw The Cure -- these shows that would leave a mark on me and become a defining part of the soundtrack of my youth. We think of those things when we're thinking of our performance. I think people expect a certain amount of size and scope and hopefully something a little different than the norm.
Q-3: Have you ever received any feedback from your fans saying that they've had their own life-changing experiences at one of your shows?
That's what's really powerful about music -- people latch onto it in such an emotional way. Of course, we've had everyone from soldiers returning from Iraq saying how much the music meant to them when they were stuck in the middle of the desert and, you know, had nothing but music to escape that nightmare. When you make music, you're in really direct contact with your fans out there, so you hear all kinds of stories.
Q-4: It's a good thing that you get to see a response to what you work so hard for.
Yeah, it is nice. And you always hear the best thing about being on stage is that you get an immediate response from fans every night and you have to change and constantly keep evolving, 'cause you'll get a couple of thousand people who'll tell you very quickly if they don't like what you're doing.
Q-5: Recording this album was more of a collaborative effort with the whole band than the first one. Was this process more challenging for you?
No, not at all. Not much changed. The only thing that changed was that I had other people to contribute in exciting ways and everybody still kind of, you know, encouraged me to do what I do and we all encouraged each other to try to make the best record we could. [Last time] I was playing all the instruments except the drums, and this time we had Matt and Tomo, who contributed in very interesting and unique ways. You know, I'm still writing the songs and nobody tried to change anything that was working so we all helped each other become the band that we always wanted to be.
You know, we have lofty goals, we want to achieve things that are great; mediocrity is not an option for us. We want to reach as far as we can and we set up a high bar for ourselves with this record and we wanted to really, really move past what we did the first time. I believe we did that; we feel very proud about the record that we've made now and it's just incredible to have people responding to it and reacting to it in the way that they are and we're just enjoying the success that we're having. It's wonderful.
Q-6: How did recording A Beautiful Lie in different countries, like South Africa, influence the album's outcome in terms of style and lyrics?
Well, it influenced us in a huge way, and in terms of the record, um, you can't go to these places and not leave unchanged. It's an impossibility. They are such incredibly impactful places and I think they helped inspire a very honest -- a brutally honest -- record that, for us, is something that we're very proud of.
Q-7: Why is using symbols in your lyrics and using iconography in the band's artwork so important to you?
For the same reason that, you know, the United States of America has a flag. Why? You know, for the same reason that we have stars, and there's flags and stripes to represent things. For the same reason you look at a dollar bill and there are olive branches and for the same reason there is... I think that when I approached this sort of thing, I wanted something more than just a collection of 11 songs that we're trying to get on the radio. It's never been about that for us. And I've always been inspired by bands, whether it was when I was kid, Pink Floyd, or as I get older, you know, Nine Inch Nails, and then later Radiohead or Bjork -- bands that are following their own unique voices and the same goes for us. Whether it's in a traditional kind of art way or in an audible way, 30 Seconds to Mars has always been an experience for us that's not just music, there's a design element, there's a chance to, you know... I'm an art school dropout, so for us, it's a chance to really extend that desire to create in a way that's not just making music.
Q-8: Because of the symbolism you use in your songs, they are really open to interpretation. In doing that, are you ever afraid that your original meaning might get masked or distorted?
It doesn't really matter, I mean, it's the thing about music: Music is subjective to everyone's unique experience. You know, like, my bassist, Matt, said before, "'Stairway to Heaven' -- you tell me what that song is about and I'll tell you what it's about." It's something that I think, you know, people put their own lives into and make their own adjustments where needed and I think the incredibly beautiful thing about music is the opportunity that you have for making the soundtrack to your life with an infinite number of possibilities.
Q-9: Have you ever had the chance to hear a fan's interpretation of one of your songs that touched you or impressed you?
Oh yeah. We have a very, very involved fan base; it's like a cross between Grateful Dead without the patchouli and a much, much cleaner smelling group of people, and, uh, David Bowie-esque without the transgender spandex outfit. We have a very, very passionate, dedicated fan base that really is a defining element of who 30 Seconds to Mars is. We have a giant, dysfunctional family out there that is very involved, and we've gotten all kinds of creative interpretations and all kinds of exciting artistic input from those people.
Q-10: You've described each song on the album as a different chapter in a book that makes a complete story when combined with the others. So, if you had to write the dust jacket blurb for your book, what kind of story do you believe A Beautiful Lie is telling?
I would say it's written from the perspective of someone in the crossroads of their life; someone who has to make important decisions, challenging decisions, life-defining decisions, in order to move forward as a human being. If I were in marketing, I would say the story's about love, death, chaos, and ultimately, a very sexual album; you've always gotta throw that in if you're in marketing.[Laughs]
Q-11: You mentioned your influences before, but who do you consider to be your musical peers?
We've toured with a lot of our peers. Like I said before, we've played with everyone from being on Lollapalooza a couple of years ago with Jane's Addiction and Incubus and Queens of the Stone Age -- that was an incredible experience. We've opened up for Audioslave and opened up for newer bands like The Used and My Chemical Romance.
I think, you know, "peers" is a loose term because all of those people are our peers, really. We've learned a lot from a lot of those bands and I have a lot of respect for them. It's nice to finally get to be doing our own national headlining tour, but it's weird because we're always the odd man out. It's always been odd to kind of fit us in, it's like we're a square peg in a round hole sort of thing. 30 Seconds to Mars has always been a little different.
Q-12: So, you're like the kid who sat alone at the lunch table?
[Laughs] Exactly. I think there's a sense of alienation that we felt as a band artistically, not in any pity part sort of way, just like "I wonder who we would fit in with?" -- especially when you think about touring. We tend to march to our drum and we're proud of that.
Q-13: What do you guys have planned for after the tour?
After the tour, we're all gonna check into rehab and fat farms and get back to our normal selves.